Under the witty direction of animation genius Brad Bird (“The Incredibles’’), “Ghost Protocol’’ acknowledges the incomprehensibility of “M:I’’ plots, which have always been shaky scaffoldings on which to hang the spectacular action sequences that audiences actually pay to see.
Bird has some real doozies up his sleeve, but first he disarms the
audience with a title sequence — springing Ethan from a Russian prison —
that affectionately kids the series, and even the ’60s TV show from
whence it sprang.
This opening is so thoroughly over-the-top absurd that I wouldn’t
have been surprised if Val Kilmer’s character from the spy spoof “Top
Secret!’’ turned up as the quickly dispatched chief of IMF (alas, it’s
an unbilled Tom Wilkinson).
The movie’s sense of humor extends to casting British funnyman Simon
Pegg as the gadget-master of Ethan’s team, whose inventions have a way
of failing at the most inopportune moments.
Like when Ethan is using his special gloves to climb what amounts to the world’s largest phallic symbol, a 160-story hotel in Dubai, to get to computer servers that somehow can only be accessed from outside the building.
This truly spectacular stunt — supposedly executed without the use of computer-generated imaging — is needed as part of a preposterous scheme to obtain those launch codes by having IMF staff simultaneously pose as the purchasers and sellers of said codes. Well, I said it was convoluted.
Like when Ethan is using his special gloves to climb what amounts to the world’s largest phallic symbol, a 160-story hotel in Dubai, to get to computer servers that somehow can only be accessed from outside the building.
This truly spectacular stunt — supposedly executed without the use of computer-generated imaging — is needed as part of a preposterous scheme to obtain those launch codes by having IMF staff simultaneously pose as the purchasers and sellers of said codes. Well, I said it was convoluted.
Bird has also done a great job of staging an exciting chase in the
mother of all Dubai dust storms.
When the action moves to Mumbai for reasons I can’t begin to explain, Ethan and one of the generic bad guys battle for possession of the codes on a series of revolving car elevators.
When the action moves to Mumbai for reasons I can’t begin to explain, Ethan and one of the generic bad guys battle for possession of the codes on a series of revolving car elevators.
Great fun! The director, alas, can’t do much with a soggy coda that
reaches for unearned poignancy by asking audiences to actually remember
Ethan’s wife from the unfortunate “Mission: Impossible III.’’
The film also wastes the coiled intensity of Jeremy Renner, as the
newest member of the IMF team with a none-too-compelling past. Bird does
keep audiences guessing whether Renner is the only leading actor in
Hollywood who’s even shorter than Cruise.
The team is rounded out by Paula Patton — amusingly jumping from her
role as a lesbian schoolteacher in the Oscar-winning “Precious’’ — whose
principal function here is to seduce an Indian mogul in pursuit of, you
guessed it. Codes.
Except for a threat to Dumpster-dive without a shirt, Cruise, who’s
pushing 50, plays a more mature iteration of Ethan.
But given the actor’s vanity and limited sense of humor, it would
probably be expecting too much for him to more directly acknowledge his
advancing age, the way Sean Connery did in his final James Bond film,
made when he was not much older than Cruise.
Clocking in at well over two hours, “Mission: Impossible — Ghost
Protocol’’ overstays its welcome a bit, but delivers the goods where it
really matters.
Rating : 4/5 – A Mission Well Accomplished.
Movie Review Mission Impossible The Ghost Protocol 2011 English Film
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