By Matt Patches Hollywood : We live in an age where six-year-olds have iPhones, most of our possessions live in a “cloud” and even the refrigerator connects to the Internet. Like it or not, technology has infused itself into every aspect of our lives—so it seems appropriate (and terrifying) that even Santa Claus’ gift delivery operation would upgrade to the 2.0 world. Arthur Christmas, the latest film from Aardman Animation (the Wallace & Gromit films, Chicken Run), introduces us to the newfangled operation. These days, Santa (Jim Broadbent) is just a figurehead for a full-scale war game run by the militant Steve (Hugh Laurie) and his band of black ops elves, who cruise the December skies in their souped up spaceship sleigh. Business is conducted in the most controlled manner, with each elf equipped with dog food launchers and back-up tape dispensers in case of any on-ground mishaps. On the sidelines is Arthur (James McAvoy), a bumbling black sheep who outweighs the entire force in Christmas spirit, but can barely stand on two feet.
The opening deliver sequence is expertly directed by Sarah Smith,
whose action is reminiscent of the highly energized Ratatouille,
injected with the quirky, British humor one would expect from Aardman.
But the dazzling setup doesn’t turn Arthur Christmas into a bombastic,
holiday riff, instead using its lead to dig underneath the 2.0 landscape
to find true magic. When one present goes undelivered, Arthur stands up
against his complacent family members to right the holiday wrongs. The
anxiety-ridden younger son teams up with his Grandsanta (Bill Nighy) and
an eager wrapper elf Bryony (Ashley Jensen), hitching up the classic
sleigh and venturing into the great unknown, all in the name of a young
girl who might wake up gift-less.
The trio’s adventure takes them around the globe, from the busy
streets of Toronto to a colorful Mexican town to the planes of an
African wildlife preserve. With each wrong turn and each obstacle to
overcome (outrunning a pack of lions while wearing reindeer slippers is
no easy feat), Arthur’s belief in the greatness of Santa and the wonders
of the Christmas are tested. For kids, it might be a familiar
existential crisis, but the warmth that accompanies Arthur’s triumphant
spirit should resonate with those young and old. That’s an achievement
in a Christmas movie, but Smith’s delicate balance of sentimentality and
over-the-top humor blend and keep the movie moving at lightning speed.
The movie’s 3D animation and stereoscopic display are top-notch, but
the real extra dimension comes from the cast. Aardman has a knack for
realizing characters, supporting or leads, who feel fully developed—and
Arthur Christmas is no exception. Smith and writer Peter Baynham (Borat,
Arthur) know when you trap the Claus family in the result will be
brilliance: Steve commanding the floor, Grandsanta telling “when I was
young” stories, Santa falling asleep, Mrs. Claus (Imelda Staunton)
keeping the peace and Arthur reminding everyone that it’s Christmas.
That’s as real as actual Christmas dinner gets. The elves of the North
Pole are equally eclectic and odd—even with hundreds of workers
scurrying around the ship, each one gets their time to land a joke.
Overlaid on the rousing tale his a whimsical score by Harry
Gregson-Williams that, much like his work on Narnia, feels
simultaneously fantastical and exhilarating (as any good sleigh ride
should).
There are so many Christmas movies in the pantheon of the season that
it’s almost unimaginable that another could slip in without relying on a
gimmick or cynical spin, but Arthur Christmas is as warm, fuzzy and
hilarious as they come. Crafted with authentic joy, performed by lively
voice actors and subtly imbued with jokes for all ages (no frame goes by
without at least one sight or pun gag), those who catch it this year
may find themselves returning every season. It’s just that nice.
Movie Rating : 4/5 – it’s a visual treat, don’t miss out this
christmas.
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